Add to ORKGThis presentation discusses the evolution of live album recordings of The Grateful Dead, from composite recordings taken from multiple shows to one show releases, the motivations behind this transition, and its influence on the live albums of other artist
Historians and commentators have long praised the Grateful Dead for their razor-sharp business acume...
Memorialization on the cultural landscape is a common method of celebrating the legacy of an event ...
Audience waiting for music to start at rock concert. VO says that, for many years, British composer...
This presentation explores the dual recorded legacies of the Grateful Dead: the official legacy of s...
Throughout the 20th century the music industry evolved from an entity primarily concerned with the g...
The idea of performing albums in their entireties is an interesting concept that is often used by ar...
This section contains materials from the first iteration of the LIVE Biennial in 1999 entitled LIVE ...
The analysis of live albums can clarify the dialectic between studio recordings and live performa...
The Grateful Dead informally allowed its audience members to record and trade “bootleg”1 copies of i...
This article aims to provide answers to two questions: why teach about the music of the Grateful Dea...
Promotional material and playbill insert for the October 25, 2014 performance of Abbey Road by Class...
This study explores how a digital music archive tells the story and contributes to the public memory...
In November 2005, access to all recordings of Grateful Dead shows on the Internet Live Music Archive...
The Grateful Dead performing in 1967: VO wonders who could have predicted that a "flower power" ban...
This book chapter looks at the phenomenon of the live film as equivalent to the live record release,...
Historians and commentators have long praised the Grateful Dead for their razor-sharp business acume...
Memorialization on the cultural landscape is a common method of celebrating the legacy of an event ...
Audience waiting for music to start at rock concert. VO says that, for many years, British composer...
This presentation explores the dual recorded legacies of the Grateful Dead: the official legacy of s...
Throughout the 20th century the music industry evolved from an entity primarily concerned with the g...
The idea of performing albums in their entireties is an interesting concept that is often used by ar...
This section contains materials from the first iteration of the LIVE Biennial in 1999 entitled LIVE ...
The analysis of live albums can clarify the dialectic between studio recordings and live performa...
The Grateful Dead informally allowed its audience members to record and trade “bootleg”1 copies of i...
This article aims to provide answers to two questions: why teach about the music of the Grateful Dea...
Promotional material and playbill insert for the October 25, 2014 performance of Abbey Road by Class...
This study explores how a digital music archive tells the story and contributes to the public memory...
In November 2005, access to all recordings of Grateful Dead shows on the Internet Live Music Archive...
The Grateful Dead performing in 1967: VO wonders who could have predicted that a "flower power" ban...
This book chapter looks at the phenomenon of the live film as equivalent to the live record release,...
Historians and commentators have long praised the Grateful Dead for their razor-sharp business acume...
Memorialization on the cultural landscape is a common method of celebrating the legacy of an event ...
Audience waiting for music to start at rock concert. VO says that, for many years, British composer...